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The Classical Language of Architecture
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The author's purpose is to set out as simply and vividly as possible the exact grammatical workings of an architectural language.Classical architecture is a visual "language" and like any other language has its own grammatical rules. Classical buildings as widely spaced in time as a Roman temple, an Italian Renaissance palace and a Regency house all show an awareness of these rules even if they vary them, break them or poetically contradict them. Sir Christopher Wren described them as the "Latin" of architecture and the analogy is almost exact. There is the difference, however, that whereas the learning of Latin is a slow and difficult business, the language of classical architecture is relatively simple. It is still, to a great extent, the mode of expression of our urban surroundings, since classical architecture was the common language of the western world till comparatively recent times. Anybody to whom architecture makes a strong appeal has probably already discovered something of its grammar for himself. In this book, the author's purpose is to set out as simply and vividly as possible the exact grammatical workings of this architectural language. He is less concerned with its development in Greece and Rome than with its expansion and use in the centuries since the Renaissance. He explains the vigorous discipline of "the orders" and the scope of "rustication"; the dramatic deviations of the Baroque and, in the last chapter, the relationship between the classical tradition and the "modern" architecture of today. The book is intended for anybody who cares for architecture but more specifically for students beginning a course in the history of architecture, to whom a guide to the classical rules will be an essential companion.
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Product details
Series: The MIT Press
Paperback: 80 pages
Publisher: The MIT Press; Revised ed. edition (December 15, 1966)
Language: English
ISBN-10: 0262690128
ISBN-13: 978-0262690126
Product Dimensions:
8.9 x 0.4 x 7.2 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#534,891 in Books (See Top 100 in Books)
This small book gives by far the best, clearest, and most easy to understand analysis of how classical architecture was adapted to and grew through the Renaissance, that I've ever seen. It ought to be taught in every architecture school.
Although the case for classical architecture is not as simplified as Mr. Summerson makes it seem in this book, it is a wonderful introduction to this world of art. His prose is lucid and fulfills the artistic need to see associations across various works while also going deeper into a few main issues. For the price, this book cannot be beat. Highly recommended.
Worth it.
Cheaply produced. Very muddy photographs that don't clearly show the details. There's a glossary included, but without any illustrations. Not useful.
I was hoping for more of a design guide than this turned out to be. This is more of a historical text book. If you want a design guide for classical principles, I would highly recommend "Get Your House Right".
I don't recall a "preview" being an option prior to selection/purchasing. Book is ancient history of classic orders of Architecture (Doric, Ionic, and Corinthian orders). My bad. Thought that, as pictured on the front cover, the book was more diagrammatic/pictoral in nature relating to molding details, not classical/ancient pediments and friezes. Well written Ancient History of the Classic Orders though.
In about 50 pages, Summerson manages to give the reader incredible insight and understanding of the history and evolution of Western Architecture.Although I studied set design and have a broad knowledge of design, I had never formally studied architecture before reading this very short book (recommended to me by a professor or architecture) and it gave me the added knowledge to create an introductory course in the history of architecture for University theatre design students using this book as both structure and text. As a result, students left the course considering going to Architecture school for graduate degrees! It was a life saver - and I will never look at buildings the same way again.
I was introduced to this classic work in a course on Michelangelo by John Shearman at Harvard, and I'm writing this review because I'm convinced this book deserves wider distribution.It's essentially an illustrated compilation of a series of lectures Summerson gave at university in England. The topic: the 'language' of architecture through the ages. Ever look at white marble columns, or that triangular thing over a window, and think how beautiful and elegant the display of forms was? Believe it or not, those styles are not created anew each time architects design a building! Rather, they draw on our rich common heritage - the 'classical language of architecture', first defined by Vasari in the 15th century (though in use since prehistoric times). That thing over the window is called a 'pediment', and columns can be Doric (stocky), Ionic (tall and graceful), or Corinthian (elaborated with flowery scroll-work at the top.) The triangular thing over a window is called a 'pediment'.Intrigued? Want to know more about what the architects were thinking when they designed that building you're looking at? Buy this book, now!
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